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8 thoughts on “ Fantasia In C Major, Op. 131 - L. Kogan* - R. Schumann* / P. Sarasate* - Works By R. Schumann‎–F. Kreisler And P. Sarasate (Vinyl, LP)

  1. Fantasie in C major, Op composer. Robert Schumann () published in Marc-André Hamelin (piano) Studio Master FLAC & ALAC downloads available. Download all MP3 bit VBR £ Si nous décrivons donc l’Opus 17 de Schumann comme une «fantasia quasi una sonata».
  2. Popular Tracks Kinderszenen, Op. No. 7 in F Major, Träumerei on Piano Recital: Bach, Mozart, and Schumann by Ivan Moravec Schumann: Widmung, Op. 25 No. 1 (Arr. Liszt, S. a) on Love and Death - Widmung by Robert Schumann & Martin James Bartlett Kinderszenen, Op. No. 1, Von fremden Ländern und Menschen on Schumann: Kinderszenen; Arabesque; Fantasie; Träumerei by Robert Schumann.
  3. SCHUMANN, LISZT AND THE C MAJOR FANTASIE, OP. A DECLINING RELATIONSHIP BY ALAN WALKER 'The first movement [of my Fantasie] is a deep lament about you' (Robert to Clara, I7 March i)1 'I am really proud of the honour you have done me in dedicating to me so grand a composition' (Liszt to Schumann, 5 June i)2.
  4. Feb 01,  · 50+ videos Play all Mix - Schumann, Fantasy for violin and orchestra (Op) in C major YouTube Fantasie for Violin & Piano in C Major, Op. - Duration: Leonid Kogan - .
  5. Schumann, Robert - Fantasia in C - bervetesidnarolathearabcimasde.xyzinfo Music Fantasia in C Fantasie (Obolen auf Beethovens Monument) for piano in C major, Op. Durchaus fantastisch und leidenschaftlich vorzutragen 2. Fantasie (Obolen auf Beethovens Monument) for piano in C major, Op. Moderato, sempre energico.
  6. 7. String quartet no. 14 in C sharp minor, op. ; Grosse Fuge in B flat major, op. / Ludwig van Beethoven; CD; 8. String quartet no. 15 in A minor, op. ; String quartet no in F major, op. / Ludwig van Beethoven --CD; 9.
  7. The Phantasie in C major, Op was declared, after its Leipzig performance, to be Schumann’s best concert piece. It is cast in one movement, with a gentle A minor introduction which is recalled in the following C major Allegro—a thematic cross-reference characteristic of Schumann.
  8. BACKGROUND TO THE FANTASIA, OP. 17 24 V. THEMATIC ANALYSIS 31 F i r s t Movement 31 Second Movement 40 T h i r d Movement 43 ENDNOTES 50 SELECTED BIBLIOGRAPHY 52 i i i LIST OF EXAMPLES 1. One P o s s i b l e Dec iphe r ing System as Conjec tured by E r i c Sams 29 2. The C l a r a Source Theme, I, mm. 31 3.

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